The tones are as diverse as they are pristine. We have dedicated about half of our store to our acoustic guitar selection. It grew inthe area of Linhares, state of Espiritu Santo, on a hillside. 57/08 gives me true vintage crystal clean sound, while 59/09 is screaming with modern sound. 2013 Artist Package (Brazilian Rosewood fretboard!) These changes cause the guitar top to become dryer, and lighter and more stiff as it ages… the perfect recipe for an improving top. I also swapped the nylon string guides . Wildwood Spec by Tom Murphy 1959 Les Paul Standard - Brazilian Rosewood ... when selling online) requires a certificate. what year did gibson stop using brazilian rosewood - My Les Paul Forum Slide {current_page} of {total_pages} - You May Also Like . 2013 Artist Package (Brazilian Rosewood fretboard!) Photograph by Matthew Worden. Can someone explaing the various PRS models to me? . 10 top, wood library , Brazilian rosewood fret board. Carlos Santana's Guitars and Gear - Ground Guitar After the year prefix, the remaining digits indicate the sequential order of set neck models built. Only at Sweetwater! Bridge: Smoked Black PRS Gen III Tremolo with locking saddles. It has a mahogany body and a 24-fret Brazilian rosewood fingerboard with bird inlays that would become a PRS signature. Paul Reed Smith (PRS) Private Stock 8474 Custom24 Buck-Eye Burl . PRS Private Stock Santana Stoptail with 22 Frets Electric Guitar the 1003 sigs were not originally intended to stop at 1000 guitars) . The 58/18LT pickups are some of the best ever made by PRS, their full up and split tones are fantastic. Photo slideshow by Matthew Worden. The Maestro tremolo (VMA-1 version - often used on cheaper Epiphones) which originally came with the guitar was moved back to make space for the stop-tailpiece. PRS. . Approximate Serial Numbers Year. The Brazilian fretboard Custom 24 Fatback Charcoal Cherry Burst (one of 10) howls and growls with the latest 5815LT pickup punch, a low-turn sweet spot that won't stop and an articulate low-end that's always ready to rumble.